IN CASE YOU MISSED THEM: DAY 1 AND DAY 2
How sad is it that the crew can build an entire structure faster than I can blog about it and post pictures? Very sad.
DAY 3 – Wednesday
The day was made more interesting by the arrival of two groups of horticulture and carpentry students from the Northern Neck Technical Center. Most of the students had never been to Menokin before. I was so pleased to hear many of them say that they “sure didn’t expect it to be like this!”
In case you didn’t know, May is Preservation Month. The “This Place Matters” campaign was started by the National Trust for Historic Preservation many years ago to bring attention to the importance of historic buildings to local communities as well as visitors and enthusiasts.
DAY 4 – Thursday
Raise the Roof takes on a whole new meaning when you see it happening. All the chiseling, measuring, staging and peg making were put to the test with the assembly of the structural timbers and the crown of roof rafters. The beautiful bones of the building are a perfect addition to this vast, cultural landscape.
Jeffrey Ruggles is an historian and photographer with interests in the history of American culture, Virginia, and visual art. His book The Unboxing of Henry Brown (Library of Va., 2003) is a biography of the fugitive slave and performer Henry Box Brown. From 2002–10 Mr. Ruggles worked at Virginia Historical Society where he served as Curator of Prints and Photographs. His Photography in Virginia (2008) is a companion book to a 2008–09 exhibition at VHS. Other VHS exhibitions were Early Images of Virginia Indians (2003) and Organized Labor in Virginia (2010), and a long-term installation at Battle Abbey, The Virginia Manufactory of Arms (2005-15). Mr. Ruggles has degrees from the University of Virginia and Virginia Commonwealth University, and is an administrator at the Virginia Center on Aging at VCU in Richmond.
For the past 15 years, Betsy White and her team of scholars have been delving into the decorative arts traditions of southwest Virginia and northeast Tennessee, parts of two states linked geographically, culturally, and historically. Settled during the last years of the 18th and first years of the 19th centuries, it became America’s first frontier, connecting the eastern seaboard with Kentucky, Tennessee, and beyond. Its settlers came down the Valley of Virginia on the Great Philadelphia Wagon Road or simply the Great Road, as it was known locally. Artisans followed settlers, bringing with them the material culture of their homelands. What sprang up was a lively blend of cultural traditions that formed a distinctive style of furniture, ceramics, textiles, metalwork, and music. Join Betsy White as she leads us through the friendly country forms of pie safes and quilts, overshot coverlets woven from wool and flax grown on the homeplace, elegant high-style furniture made by Philadelphia-trained cabinetmakers, and pottery decorated with splotches, daubs, and streaks. White’s field work has resulted in more than 2,000 records. Taken together, they create a Great Road style, one that is beginning to take its place in American decorative arts.
Betsy White, an art historian and a member of the Virginia Cultural Heritage Commission, graduated from Salem College in Winston-Salem, NC.
In a compelling, richly researched novel that draws from thousands of letters and original sources, bestselling authors Stephanie Dray and Laura Kamoie tell the fascinating, untold story of Thomas Jefferson’s eldest daughter, Martha “Patsy” Jefferson Randolph—a woman who kept the secrets of our most enigmatic founding father and shaped an American legacy.
Laura Kamoie has always been fascinated by the people, stories, and physical presence of the past, which led her to a lifetime of historical and archaeological study and training. She holds a doctoral degree in early American history from The College of William and Mary, published two non-fiction books on early America, and most recently held the position of Associate Professor of History at the U.S. Naval Academy before transitioning to a full-time career writing genre fiction. Her debut historical novel, America’s First Daughter, co-authored with Stephanie Dray, allowed her the exciting opportunity to combine her love of history with her passion for storytelling. Laura lives among the colonial charm of Annapolis, Maryland with her husband and two daughters.
Virginia-born tastemaker Nancy Lancaster (1897 – 1994) is a widely recognized source of the international design movement known as the British Country House Style. The style’s blending of key forms and materials, which resulted in domestic environments with historicist inflections, recalls Lancaster’s experience of her six-generation family home, Mirador, near Charlottesville. From post-Civil War Virginia to post-World War II England, Mirador to Mayfair examines the inspiration, implementation, and patronage of the Country House Style toward a better understanding of the role of interior decoration in the fashioning of individual and cultural identity.
Dr. Susan J. Rawles has been the Assistant Curator of American Decorative Art at the Virginia Museum of Fine Arts since 2008, serving previously as Research Associate for the American department from 1995. She received a PhD in American studies from the College of William and Mary, an MA in the history of art from Rice University, and a BA in economics and government from Smith College. A specialist in American material culture of the colonial and revolutionary periods, she is particularly interested in the socio-historical context of art and has written and lectured on topics ranging from colonial portraiture to period interiors. Part of the 2010 reinstallation team for VMFA’s American art galleries, she co-authored the accompanying publication, American Art at the Virginia Museum of Fine Arts (2010).
Enter
cases. Students reviewed copies of original court records re slaves, property and possessions, and insurance documents and discussed the importantance of record keeping.
They also learned about Menokin’s environmental conservation practices and got to compare a variety of 
It only took me a moment to realize that they were all wearing T-shirts sporting the same logo. Dad designed the logo for the shirts. It took me (embarrassingly enough) a lot longer to figure out that Jones was their last name. But they didn’t hold it against me.
I tried to convince them to stay just a little while longer in the Northern Neck, but the road was calling. (I did get an invite from the youngest, asking if I would like to come along.)
