The structure sustained damage from strong storms that swept through the Northern Neck in 2018. It is now wrapped in FarmTek PolyMax curtain, which is typically found in agricultural structures like barns. It’s durable and does not absorb moisture, making it the perfect option for the Remembrance Structure. Below are some before, during, and after pictures that illustrate the process, which included removing the damaged transparent Tyvek that was originally wrapped around the structure.
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The Remembrance Structure, an outdoor classroom on the grounds of the Menokin Foundation near Warsaw, has won an AIA Virginia 2018 Award for Excellence in Architecture.
AIA Virginia is a member of the Society of the American Institute of Architects. Its Awards for Excellence in Architecture honor Virginia architects’ works that are no older than seven years, contribute to the built environment, and are clear examples of thoughtful, engaging design.
Architect Reid Freeman based what was originally called the Ghost Structure on archaeology, 18th-century timber framing techniques, and examples of similar slave dwellings in the region that still survive. The framework is covered only by a transparent fabric that diffuses shade. At night, solar-powered lighting creates a paper lantern effect.
A crew of professionals, students and volunteers built the simple structure during a five-day workshop last May. It sits directly over its footprint of the late 18th-century slave dwelling that it re-creates.
Besides serving as a classroom, the Remembrance Structure is intended to be a memorial to the enslaved workers who worked on Menokin plantation for Francis Lightfoot Lee, a signer of the Declaration of Independence. The Menokin Foundation’s African American Advisory Work Group recently renamed the building the Remembrance Structure in honor of the enslaved people who built the original and lived there.
This year’s Awards for Excellence in Architecture included two Honor Awards, 13 Merit Awards and one Honorable Mention. Award categories include Architecture, Contextual Design, Residential Design, Interior Design and Historic Preservation. Freeman’s design was one of two Contextual Merit Award recipients. The other was Stemann I Pease Architecture’s design for the Historic Farmstead at the American Revolution Museum in Yorktown.
The awards for contextual design are chosen based on outstanding architecture that perceptibly reflects the history, culture, and physical environment of the place in which it stands and that, in turn, contributes to the function, beauty and meaning of its larger context.
The Northern Neck Chapter of Virginia Master Naturalists are unsung heros. Just because we have been long remiss about giving them credit, that does not mean that we appreciate their dedication and service any less.
Our butterfly garden at Menokin has blossomed (pun intended) into a smorgasbord of color and pollen. Every year there are new varieties on the menu for our hungry customers, including bees, wasps, butterflies, moths, ants, birds, and other crawly critters.
The sign was installed in the garden today and the crowd barely noticed me as they gorged on nectar. Next time you come for a visit, be sure to stop by the garden and say “Thanks!” to these tireless volunteers who make our landscape more beautiful.
I often stop along the lane into Menokin to take pictures when a flash of color catches my eye. Such was the case earlier this week when a cluster of red berries I’d been noticing were finally too beautiful to pass by.
Now, here are the confessional and teaching moments of the story wrapped neatly in a bow.
Confession: I wasn’t sure what they were. I suspected sumac but fell into the immediate trap of thinking sumac=poison. But what kind of poison exactly. Rash? “Eat me and die” poison? Or was it sumac at all? Was it the insidious invasive, tree of heaven?
Teaching Moment: Obviously it was not safe for me to be out of doors with my sketchy knowledge of what was or wasn’t sumac. And I did touch one berry so it was crucial to figure this out straight away before symptoms started appearing. So I fired up Google and went to work.
What I learned was this:
It was sumac. Staghorn Sumac to be precise.
I wasn’t going to die.
I wasn’t even going to itch.
As a matter of fact, people all over the world use this very same berry as a spice, a medicine and to make lemonade.
The Farmers Almanac did the best job explaining the whole wonderful story so follow this link if you’d like to learn more.
Now, if I could just figure out what kind of bug this is that I saw crawling along the stem…
It’s hot outside! And Menokin is the cool place to be kayaking out on Cat Point Creek!
Our friends at USF&W loaned us their trailer to get all the new boats down to the creek. Silas, one of our summer interns, painted the rack and set up all of the boats. He’ll be ready to teach you how to paddle and assist your launch. Be sure to bring a hat and sunblock.
Silas prepped and painted a rack to hold the boats at the waterfront.
Alice turned her car into a modified flying machine while transporting the rack to the creek.
Now it’s easy to learn how or just come explore. Free lessons are available Tuesdays and Thursdays from 10-12pm, just call or email Alice at 333-1776, email@example.com to reserve a boat. Come meet our new ACA trained kayak instructors Silas and Erin.
Already know how to paddle a boat? Menokin has rentals available now, too! Sit-on-top singles rent for $10/2hours; or paddle together and save in a tandem (two-person) kayak for $15/2hours. Rentals are available Tuesday through Saturday, 10am until 6pm, and include a US Coast Guard certified life jacket, paddle, and kayak.
We have 12 single “sit on” kayaks available for rent for the nominal fee of $10/2 hours.
Our six tandem “sit on” kayaks rent for $15/2 hours.
Got your own paddle boat or board? You can come out anytime until 7pm, every day of the week and use our launch free of charge. Menokin is a Chesapeake Bay Gateway and also part of the Captain John Smith National Historic Trail. You can access the flat water of Cat Point Creek from our soft landing. After your adventure, take a minute to add notes about your adventure in the waterproof log book we keep nailed to the tree.
Our picturesque launch onto Menokin Bay, the widest section of Cat Point Creek.
On the first day over a cool cast of clouds the project for the Ghost Structure of Menokin began to create the first replica of a slave dwelling that once was built on this land. The group was split up between two groups to start cutting the wood. Both groups would contribute in building the base of the structure. In order for the base of the structure to connect the joists must be cut into the wood. The joists are made up of horizontal timber and in our case, oak is being used as the base because this type of wood particularly is harder and will hold up the best support. In creating the joists each end of the timber must measure 4” x 4.5” in the shape of an ‘L’. A japan saw is used to cut off the unwanted piece in 4 sections. Next, a chisel and mallet are used to break off the sections to create the final joist. Pictures below show the process of creating the joist.
Highlight of Day Two
Once a 15’ x 25’ base is placed we began preparing the next steps in creating the floor of the Ghost Structure. The floorboards would be made of yellow pine and in order to align each row of the floorboards a hammer and chisel would be used to avoid any gaps in the floor. However, in the 18th century they would also use an auger that would create a small hole into the wood and another tool would be placed into the hole to wedge the pieces of wood together. An auger is a tool with a large helical bit for creating holes into wood. We know there is evidence in using an auger to wedge the floorboards together because of the circle marks left over by this tool. In our case, only a hammer and chisel were used to connect each floorboard together. Nails were hammered into the yellow pine to connect the floorboards to the base of the structure. Once a floor was established the frame of the Ghost Structure will become the next goal. Picture below shows finished floor.
Highlight of Day Three
On the first day the other group was creating joints in the base for base to properly support the frame. The joints are known as mortise and tenon and are adjoining pieces that connect at a 90-degree angle. On day 1, the mortise was first cut into the base to eventually fit the tenon to connect the frame to the base. Creating the main, vertical frame is what was being accomplished on day 3. This becomes the most structural support of the Ghost Structure. How would the mortises be created back in the 18th century? An auger would have also been used to create a hole for the tenon to be connected to. However, the auger would not penetrate entirely through the timber but a little over halfway through so when the tenon is created is has a stopping point. Picture below shows the joists creating the base and the main frame connecting to the base of the structure. Third picture shows how the tenon is being cut by using a japan saw that will fit into the mortise.
Highlight of Day Four
Hand-carved pegs were needed to be made to act as the studs of the structure for better stabilization and support. By taking a long piece of yellow pine that measures roughly 1” x 1” and carving out the shape of the peg by using a tool known as a draw blade. The tool does exactly what it is named for. When using a draw blade, you hold onto the handles on each side of the blade and pull the tool towards yourself to smoothly shave off pieces of wood. In our case, sat on a sawhorse that allowed us to clamp the piece of wood tightly so that the draw blade could easily be used. About 90 pegs were carved over the course of the week to be hammered into the Ghost Structure.
Highlight of Day 5
After the pegs were finished, they needed to be hammered all around the base of the structure. An auger would have been used to initially created the hole for the peg to fit into. For the purpose of finishing the structure within the 5-day mark, a power drill was used. The pegs had to fit in tightly and once hammered in the piece sticking out of the base had to be sawed off using a japan saw to fit smoothly along the oak base. Once the pegs were placed the cripples had to be attached to the vertical frame. Cripples are a type of wall bracing that rests on top of the foundation of a structure. They support the overall weight of a building and must be braced so the frame does not collapse. Both ends of the timber cripple are cut at a 45-degree angle and hammered into the frame. Pictures below show the drilling of the hole for the peg and then using a mallet to hammer in the peg to the base. The last photo shows how the cripples were hammered in with nails to the frame of the structure.
SEE MORE POSTS ABOUT THE GHOST STRUCTURE WORKSHOP: