Truth be told, the thought to compare the two had never occurred to me.
But it did occur to Ed Slipek, Senior Contributing Editor of Style Weekly Magazine when he recently visited the Menokin Revealed exhibit at the Virginia Center for Architecture.
In his article Material World in the current issue, Slipek focuses on the importance of making the open call for plans and ideas when undertaking a large project such as the Shockoe Bottom proposed baseball stadium.
The lesson of ‘Ruins, Memory and the Imagination: Menokin Revealed‘ is: How do we know a good solutions unless they’re set up against alternatives? Wouldn’t it be great to have 11 more design proposals for Shockoe Bottom? The process might make us crazy, but then again, it could produce something quite worthwhile.
While Menokin Revealed was an academic exercise for the Harvard Graduate School of Design students of The Menokin Project’s lead architect, Jorge Silvetti, their ideas and images are thought provoking and inspiring.
“Ruins, Memory and the Imagination: Menokin Revealed” runs till April 27 at the Virginia Center for Architecture, 2501 Monument Ave. For information call 644-3041 or visit architectureva.org. Photograph and Exhibit Display Design by Forrest French.
An Exhibition of the Harvard Graduate School of Design Projects at the Virginia Center for Architecture
In the spring of 2013, architecture professor Jorge Silvetti led twelve Harvard Graduate School of Design students through an exploration of the complex design and interpretive questions surrounding the c. 1769 Menokin site.
Discover the students’ innovative solutions for the evocative crumbling ruins and surrounding landscape at this 500-acre site in Virginia’s Northern Neck.
This exhibit will feature images of the final concept presentations of the students of the spring studio course. Curated by Jorge Silvetti, the show will feature graphics designed by Carmine D’Alessandro and custom exhibit panels designed and produced by Forrest French.
Visitors will be introduced to the exhibition with an overview of The Menokin Project, putting the work of the students into context of the revolutionary thinking that Menokin inspires. It’s easy to understand that inspiration when reading the observations of the students during their time here…
From the presentation of Alex Watchman.From the presentation of Carmine D’Alessandro
Bios of the students and descriptions of the Design Program at Harvard in which they participate will also be highlighted.
Once the home of Declaration of Independence signer Francis Lightfoot Lee, now the evocative crumbling ruins of an 18th century mansion in Virginia’s Northern Neck, Menokin aspires to a future like no other among American Revolutionary sites and conservation efforts.
Menokin is a multi-faceted place, rich in heritage and stories. The site spans 500 acres of land in close proximity to Washington, DC and other major cities and historic sites. At its center is the revolutionary rehabilitation of the Menokin house.
Remaining historical elements and some extracted structural materials from the house will be reinstalled, along with the beautiful woodwork that was removed before the house collapsed in the 1960s. The missing exterior walls, roof, and floors will be recreated in glass and steel to protect the remaining historic fabric, to restore volume and space, and to provide exhibit areas.
Architect Jorge Silvetti and his internationally known firm of Machado and Silvetti Associates leads an interdisciplinary team that has developed our plan. The Glass Project serves as the ultimate case-study in architectural innovation and moves beyond just breaking the mold of the traditional historic house museum. The real potential of Menokin lies in the opportunity to approach its preservation and interpretation in a truly innovative and revolutionary way, embodying the spirit of the place and Francis Lightfoot Lee himself.
Well, officially we’re not IN the glass house yet. But it is certainly in us, as well as within a dedicated group of supporters and friends who came to the official Menokin Project Model unveiling party on Friday, October 4th.
Menokin Trustees and staff, Union First Market Bank Officers and Board Members, and guests, gathered on the lawn at the house site to celebrate the arrival of the model in style.
Designed and fabricated by Machado and Silvetti Associates, LLC, the model will play a significant role in teaching about, and raising money for, the strategic rehabilitation of this National Historic Landmark.
I hope you have enjoyed seeing the progress of The Menokin Project model as it has evolved from a sketch to a finished piece of art.
Harvard Graduate School of Design students Carmine D’Alessandro and Alex Jacobson, and Machado and Silvetti Project Manager Jayne Kang – under the supervision of lead architect, Jorge Silvetti – have delivered a masterpiece of model making that will undoubtedly help The Menokin Foundation take this project to the next level.
We would like to once again express our boundless appreciation to Union First Market Bank for their generous gift that made this all possible.
With no further ado, may I present to you……………….The Model.
A beautiful addition to the Martin Kirwan King Visitor’s Center.
The Menokin Project Model sits on a base of white oak, which is drilled to a topographical accuracy of within .003 of an inch.
The lighting of the model helps illustrate how the interior systems of The Menokin Project work together.
Carmine and Alex demonstrate how to VERY CAREFULLY lift off the cover. DO NOT try this at home.
The three smaller models in the front indicate (from left to right) what currently remains of the original structure, the steel armature, and the interior glass liner.
Additional views of the small models.
A proud moment for the model makers, Alex Jacobson and Carmine D’Alessandro.
The glass on the front of the house is opaque and gradually becomes more transparent as visitors move through the house.
Close up view reveals that we already have visitors in the house!
An interesting juxtaposition: a copy of the original presentation drawing of Menokin done in 1769 (on the bottom right) next to the rehabilitated structure on the left.
The happy culmination of many years of hard work for Executive Director Sarah Pope and Board of Trustees President, Tayloe Murphy.
Project Progress Reports from:
Jayne Kang | Project Manager, Senior Designer | Machado and Silvetti Associates, LLC
PROGRESS REPORT ITEMS:
Week 4 –07/15/13-07/19/13
Model production:
– Final site model production [routed on the CNC milling machine]
– Laser cut all final parts of the assembly [i.e. rainscreen, armature for 1/16” models]
– Run lighting tests with the assembled 3/16” model
– Produce a test for the plaque that will be placed on the final model
– Run final tests for the liner’s gradient
– Preliminary fit-out of the entire assembly
ROUTING THE MODEL
Preparing the wood for the router.
Routing in action.
Alex dusting off the site model that has been just routed on the CNC machine.
ASSEMBLY
Carmine and Alex preparing for a preliminary fit-out for lighting tests and final assembly.
North View of House positioned in the site model base.
South View of House positioned in the site model base.
Detail of the Polyjet printed armature fitting into the Zcorp model.
LET THERE BE LIGHT!
Preliminary lighting test on overall assembly to calibrate the liner’s opacity, brightness and the overall ambiance.
It was delivered to Menokin this morning by Alex Jacobson and Carmine D’Alessandro, the Harvard Graduate School of Design students, who constructed it under the supervision of Jorge Silvetti. They drove it down, under the cover of darkness, from Boston arriving late last night in Tappahannock.
Here is a sneak peak. But you’ll have to wait until next week to see the model. Why? Because I’m mean. And I want you to salivate!
Heading down the Menokin lane toward the Visitor’s Center.
Carmine peaks under the wrapping to make sure the model survived the trip unscathed.
All 200+ pounds of model are hefted into the visitor’s center.
The unveiling begins…..
Thanks again to Union First Market Bank for making all of this possible!
Project Progress Reports from:
Jayne Kang | Project Manager, Senior Designer | Machado and Silvetti Associates, LLC
PROGRESS REPORT ITEMS:
Week 3 – Part II: 07/08/13-07/12/13
Model production:
– Final modeling adjustments to the armature model for printer
– Final digital site model adjustments for running tool paths
– Selection, purchase, lamination, drying and sanding of wood for the site model
– Model to be routed on Tuesday, July 16.
– 3D prints for House armature go to printer Monday
– 1/16” model pieces out for final print Monday
Reference image of the site model from last week’s Progress Report.
Sketch [by Alex] of the overall construction strategy for the site model, its base, and the Plexiglass encasement.
Alex at the Anderson Quaid Co, Inc. purchasing site model wood.
Carmine cutting down wood planks to uniform dimension.
Carmine cutting down wood planks to uniform dimension.
After carefully inspecting the White Oak boards and selecting the desired visual gradient for the adjacent pieces, Alex and Carmine laminated the boards together; first, in groups of three, and then as a final monolithic block.
The laminated block of wood was then carefully clamped to a sturdy work surface, in order to ensure successful binding and prevent bowing in any single sheet of wood. The process of drying took about 48 hours.
Project Progress Reports from:
Jayne Kang | Project Manager, Senior Designer | Machado and Silvetti Associates, LLC
PROGRESS REPORT ITEMS:
Week 3 – Part I: 07/01/13-07/03/13
Material, Assembly and Visual Testing (liner, rainscreen, historic walls, etc)
– North Elevation Full-Assembly Study [continued]
– Typical Armature Corner and Roof Rainscreen Assembly Study
– Test prints of different woods for the site base Model production:
– Final 3/16” ZCorb Print – Final 1/16” ZCorb Prints [Existing(x1)], Proposed (x2)]
– Final modeling adjustments to the armature model for printer
Included in this progress report are digital renderings and photos that document two major efforts made in the course of this short week, which involved:
1) finalizing the quality of material and level of resolution in the site model, with consideration to cost and aesthetics; and
This model is to represent the concept design that was submitted and approved in March 2013. We decided to lightly reflect the concepts of the team’s Cultural Landcape Architects – Reed Hillderbrand – in the model, using a homogeneous material palette.
White oak (second from bottom) was the winner!
2) studies of various isolated assembly details (i.e. mechanical connections, lighting, aesthetic effects when combining the layered elements) in order to come up with something that is clean, most accurately representative, stable and has the best visual effect.