Nope. Francis Lightfoot Lee did take part in World War II – as a Vessel Type EC2: Liberty Ship.
The call went out to American shipbuilders to mobilize for construction of a new fleet of troopships in 1941. “Built by the mile and chopped off by the yard,” and delivered at the rate of one a day, American ingenuity and can-do — facing a global challenge at the end of 1941 — transformed its shipbuilding industry and produced more than 2,700 Liberty ships in five years to move men and materiel to the front.
The Liberty ships — a vast new fleet for the war effort — was built in a national “Virtual Shipyard” that harnessed skills, resources, and facilities all across America. From 1941 to 1945, the United States increased its shipbuilding capacity by more than 1,200% and produced over 2,700 Liberty Ships.
Upon seeing the design for the Liberty ship, which was based on a British ship first built in 1879, President Roosevelt named her “the ugly duckling.” Here are some interesting facts about Liberty Ships:
Liberty ships were built in 1943 in as few as 16 days.
A Liberty ship could carry an amount of cargo equal to four trains of 75 cars each.
Libertys sailed with no name painted on their bows so as to give the enemy no hint as to their mission or cargo.
Services of more than 40 skilled trades were required to build a Liberty ship.
Every Liberty ship had its own distillation system to make sea water drinkable.
The first Liberty ship was named after Patrick Henry. The last 100 were named for merchant seamen who died in wartime service.
One hundred and fourteen Liberty ships carried the names of women; eighteen Liberty ships were named for African-American individuals.
Our favorite Liberty ship was named for Francis Lightfoot Lee!
FRANCIS L. LEE (E26) Francis L. Lee on February 3rd 1944 in convoy at position 36°56’N 75°00’E east of Cape Hatteras. Owned by U.S. Department of Commerce and operated by Seas Shipping Co. Inc. under WSA Service Agreement form GAA.
Ship Name: SS Francis L. Lee
Namesake: Francis Lightfoot Lee
MC Hull No.: 26
Ship type: Standard
Laid down: 13 October 1941
Launched: 14 March 1942
Fate: Scrapped 1965
Here’s an invitation from the Menokin Foundation. If you were a crew member on the Francis L. Lee, or a friend or family member of one of her crew, or a person who helped build her, we would love to hear from you. We welcome your stories and pictures. We also welcome you here at Menokin, the home of your ship’s namesake.
The Menokin Foundation is very fortunate to have a large collection of masonry, stone, construction timbers and interior paneling. But because the house passed hands many times after the deaths of Frank and Becky Lee, and eventually out of the Lee and Tayloe families all together, there are no interior furnishings or decorative items left from the time of their ownership.
Indeed, the only furnishings from Menokin that we have were donated in 2009 by Mrs. Douglas Forrest Barnes. These gifts included a 19th-century walnut table and chairs, and a stoneware jar, which belonged to the Belfield family who owned and occupied Menokin from 1879 to 1935. (Read more about the history of this gift below.)
Our current student intern, Allie Lyth, was tasked with researching the stoneware jar, about which little has ever been known. Her efforts uncovered a genre of primitive ceramics called “American Salt Glazed Ovoid Stoneware,” where our jar seems to fit nicely.
Menokin’s Ovoid Stoneware Jar.
Salt Glazed blue decorated 19th-century Ovoid Jars have some defining characteristics. Samples found online explain the similarities and difference between jars from different states, which often varied in style, design, color and handles.
Samples of Ovoid Stoneware jars from Z&K Antiques.
The design on the image of the jar below, from the Cowan’s Auction website, is very similar to the design on Menokin’s jar. Note the difference between the two in the shape of the lip and the overall shape of the jar.
Second quarter 19th century, semi-ovoid jar having applied lunate handles and brushed tulip and leaf designs surrounding the exterior; attributed to Virginia. Image courtesy of Cowan’s Antiques.
Menokin’s unsigned Ovoid jar has a “catty-wampus” shape with its lopsided opening and irregular body. Does this hurt or increase the value? Perhaps a trip to Antiques Roadshow is in order?
Wednesday, February 27, 2013 marks the 247th anniversary of the signing of the Leedstown Resolves in Westmoreland County, VA in 1766. The document was the first organized protest of “taxation without representation” and was in opposition to the British imposition of the Stamp Act which required colonists to pay a duty on exports. Signers pledged “to bind ourselves to each other….with our lives and fortunes.”
The Northern Neck of Virginia Historical Society (NNVHS) will present its annual program commemorating this historic event at Menokin, the home of Francis Lightfoot Lee, who, along with his brother Richard Henry Lee, signed both the Leedstown Resolves and the Declaration of Independence.
Signers highlighted in past years have been resolution author Richard Henry Lee and brother Francis Lightfoot Lee, as well as Alvin Moxley, Meriwether Lee, William Sydnor, Moore Fauntleroy, Francis Waring, and William Roane.
The 2013 commemoration will feature the lives of signers Richard “Squire” Lee of Lee Hall, Robert Wormeley Carter of Sabine Hall, John Belfield of Belle Mount, and Joseph Peirce of Templesman.
The program is being prepared by the NNVHS and hosted by the Menokin Foundation at the Martin Kirwan King Visitor’s Center at Menokin, located at 4037 Menokin Road in Warsaw, VA. Driving directions are available on the Menokin website at or by calling 804-333-1776. The program begins at 10:00 a.m. and all are invited to attend.
The Menokin Foundation is very fortunate to have an Advisory Council of professionals in the fields of architecture, engineering, historic conservation, museum programs and cultural landscape which has been established to assist in the decision making process of the Glass Concept.
Staff members sat down with some of these advisors over dinner last fall and interviewed them about why they love Menokin, and why they have dedicated so much time to this project.
The result is this video which attempts to encapsulate the spark of imagination, inspiration and innovation that is Menokin.
Green Spring was the childhood home of Hannah Ludwell Lee, mother of Francis Lightfoot Lee. In later years the estate was inherited by Frank’s brother, William.
Tired of presidential candidates? Weary of the “approved messages” bombarding you from television ads? Longing for a fresh face to breathe hope into our political melee?
You are in luck. Frank has cast his hat into the political arena and is looking for your vote.
In this Presidential Election year, we thought it might be fun, educational and enlightening to examine the life of this 18th-century “politician” to see how he stands up to today’s candidates in character, record and opinion (both about
him and by him).
What Kind of Man Was Francis Lightfoot Lee?
Francis Lightfoot Lee is what one might call a “forgotten revolutionary.” Described by his niece as the “sweetest of all the Lee race” and as possessing a temper “as soft as the dove’s,” Lee, his memory now nearly hidden beneath the rubble of his Virginia mansion, had a life that was “most useful and worthy,” the life of a patriot of the American Revolution.
With thirty years of an active political life, a life in which he opposed British measures, sought independence, and served the nation through a number of committees as a member of the Virginia House of Burgesses, the Second Continental Congress, and the Virginia State Senate. Lee was certainly not an “inconspicuous” man, nor was he merely “soft as a dove.” Rather, Lee was a true patriot, not only according to standards held by his contemporaries, but also to his own.
Is Frank Lee the kind of man that could run for President in 2012? If so, could he win?
Resume
• In 1758, he took his seat as representative of Loudoun County to the Virginia House of Burgesses, having moved there to maintain his lands inherited from his father.
• He became an opponent to taxation without representation and other British offenses, which he protested not only through personal letters, but also in signing his support to important documents, including the Westmoreland Resolves of 1766.
• As a member of a committee appointed to protest British policies toward the colonies in 1768, Lee maintained an active role in opposition to the British.
• Lee continued to serve as a Burgess from Richmond County until elected as a Virginia delegate to the Second Continental Congress in August 1775. He fully supported American Independence throughout most of his political career, signing the Declaration of Independence on July 4, 1776.
• Lee remained a member of Congress until 1779, serving on a variety of committees including the Board of War, Committee of Secret Correspondence, and other ad-hoc committees.
• In 1779, Francis Lightfoot Lee retired from the Second Continental Congress due to the three-year limit that had since been imposed by the Revolutionary Government.
• In 1780, Lee again entered Virginia politics, having been elected to serve as a member of the Virginia Senate, until 1782 when he retired from politics. He did, however, remain interested in the political scene, and is purported to have supported the ratification of the Constitution.
This man’s life-work was so inconspicuous, that his name would now be wholly forgotten, but for one thing- he signed the Declaration of Independence. Yet his life was a most useful and worthy one. It was a good and profitable voyage, though it left no phosphorescent splendors in its wake.
–Mark Twain on Francis Lightfoot Lee, 1877
Character
Not a lot is written about Francis Lightfoot Lee, as he was certainly overshadowed in the political arena by his outspoken older brother, Richard Henry Lee. Yet those that did pause to put their thoughts about him on paper seem to agree that he was a quiet, thoughtful yet passionate man.
Lee has not been granted his proper place in history, for his involvement with the
founding of the country lays not only in his signature on a document, but with thirty years of an active political life, a life in which he opposed British measures, sought
independence, and served the nation through a number of committees as a member of the Virginia House of Burgesses, the Second Continental Congress, and the Virginia State Senate. Lee was certainly not an “inconspicuous” man, nor was he merely “soft as a dove.” Rather, Lee was a true patriot, not only according to standards held by his contemporaries, but also to his own.
He dealt in no shams; he had no ostentations of dress or equipage. He was educated. He was more than that – he was finely cultivated. Mr. Lee defiled himself with no juggling, or wire-pulling, or begging, to acquire a place in the provincial legislature, but went thither when he was called.
–Mark Twain, from the Pennsylvania Magazine of History and Biography, I, no.3, 1877
As for whether or not Francis Lightfoot Lee had “the right stuff” to be a political leader of the 21st century, perhaps his own words shed the greatest light on that question.
This is not the time for men of abilities with good intentions to be only spectators, if we can’t do all the good we cou’d wish, let us at least endeavour to prevent all the mischief in our power.
In late September, three women from the National Trust for Historic Preservation paid a visit to Menokin.
Organized by Menokin’s old friend, Katherine Malone-France, formerly of Oak Grove Restoration and currently the Director of Outreach, Education & Support, Historic Sites Department of the National Trust for Historic Preservation, the visit included the following members of the Trust’s technical support team:
Ashley Wilson, Graham Gund Architect
Chief Architect in the Sites Department
Helena Trueeck, an intern who is developing a teacher institute about deconstruction plantation myths
They were all smart, energized and informed and I was so impressed with the combined knowledge and enthusiasm of the group. It was exciting to see young women crawling around old buildings and knowing as much about construction and engineering as any man! What great role models for that next generation of enthusiasts that we hope to attract.
I wrote to them after their visit and asked them reflect on their visit: why they came, what their expectations were, what their experiences here were, and what they left with.
In true Emily Post fashion, I got the following reply, complete with images, which I now share with you. We hope that you can take this spark of enthusiasm about The Menokin Project and fan it into a flame for yourselves and your friends and colleagues.
In their own words…
Rebecca Buntrock
“Before coming to Menokin, I had looked through the renderings for the proposed glass-house structure around the existing ruin. As a preservation engineer, I was very intrigued by this concept but until I saw the site I didn’t fully grasp its potential, which soon became clear.
To me, the structure is much more about architecture, exploration, and the experience of seeing a building deconstructed, than it is about the history of Francis Lightfoot Lee. I loved the “tree-house” feel of the wood stairs snaking through what’s left of the building, and the chance to physically see and touch the structure. It’s also a great story regarding how documentation of the building saved part of its history.
If the Machado-Silvetti design is realized, it will serve as the ultimate case-study in architectural innovation, beyond just breaking the mold of the traditional historic house museum. It literally has every component of design challenge, from stabilization of the ruins, to working within an existing building and the construction of a new glass shell. This should be presented at conferences and written about in technical journals, to gain publicity within the industry. It will likely become a “pilgrimage site” for design professionals with the big names on the design team, in particular Eckersley O’Callaghan as the glass consultants.
But the site is also appealing to a much larger audience – people are always very interested in seeing the building components, even if they aren’t architects or engineers. This often seems to be most popular part of many historic sites. There are presently brick and stucco construction mock-ups and classes held in one of the warehouses. It would be great to include the building trades, perhaps in the form of a field school, as part of the site’s development. Katherine and I also discussed possibly starting small, with a mock-up of the proposed curtain wall and steel armature, so people could see the proposed system, and the design team could begin to analyze how it’s going to work. Perhaps a curtain wall manufacturer with a proprietary system would be willing to donate money or materials for this effort.
I left the site thinking about my architecturally-inclined friends that would enjoy seeing the site, and considering when I’d come back. I look forward to seeing where the future leads for this site. I did a blog post on it: http://preservationframeofmind.wordpress.com/2012/09/25/menokin/“
Helena Treeck
“Before my visit to Menokin I had familiarized myself with the project through the website and the presentation that includes ideas and renderings of what Menokin will look like after its transformation. However, when I arrived at the site I was expecting to see 2 houses: the one I had seen in the renderings and pictures and one that is used in the logo. I learned soon that there was only one house: The charming ruins from the spectacular renderings. Another reason I came to Menokin was that I had been told that it daringly challenges the traditional house museum form that we are so used to when visiting plantation house museums. This prospect was quite intriguing to me as I am currently working on a project for which I have looked at different plantation museums across the American South.
Menokin is indeed a breath of fresh air. The staff, Sarah and Leslie, are passionate about their idea of preserving the ruin and juxtaposing it with extremely modern architecture. A concept that presents itself to a multitude of ways to interpret this site: The open steel and glass structure that will preserve the ruin will allow the visitor to see preservation in action, take a look right at the guts of the house and be inside and outside at the same time. The experience of being inside this former “big house” can be recreated while conserving the innate charm of its ruin.
As a visitor it is exciting to see the structure of the place and be wandering through it on a little adventure. The building concept is nothing short of brilliant. Little sections that are covered in Plexiglas on one side of the building already give a great idea of what the finished product might look like. The finished location could be used for lectures on history, architecture, engineering, or it could hosts weddings, wine tastings, and classical concert. But, the vision of this dynamic staff duo does not stop at the big house.
An education nature path leading down to Rappahannock Creek is already equipped with signs explaining the different plants growing on the property. Their idea is to reanimate the Creek which, once upon a time, was the local highway. Sarah and Leslie envision a pier to walk into the lake, a canoe rental by the lake, and have a general concept to integrate the local community. Maybe one day guests will arrive at Menokin the old way, from the Creek site on a little boat.
One might at first think that Menokin is just another ruin, but Sarah’s and Leslie’s energy and enthusiasm can activate anybody’s imagination to see the vast potential of Menokin and its whole grounds.
Commentator Thea Marshall recently learned about a famous architect who’ll be putting back together again a famous pile of rubble.
Of course, the famous architect is Jorge Silvetti – of Machado and Silvetti Associates – and the famous pile of rubble is Menokin, a National Historic Landmark and the Commonwealth’s largest and most historic jigsaw puzzle.
This essay, as comfortable to listen to as a favorite tune, is chock full of information about Menokin – the place, the people who lived here, and what the future holds for this historic treasure.
Thea Marshall is the author of “Neck Tales: Stories from Virginia’s Northern Neck,” published in June, 2009. Along with her professional writing assignments, she is a broadcaster, actor, and producer, with life long experience in all forms of communication – from print to theater to radio and television. She writes and broadcasts original commentaries on and about the people, places, history, culture and current issues relating to the Northern Neck for WCVE Public Radio (heard on both WCVE in Richmond and WCNV for the Northern Neck).
In 2009, archaeologists found a beautiful locket in the Menokin house ruin. This cameo locket portrays the image of a woman. Who did this locket belong to? Who is this woman? A 1794 letter from Frank’s brother, William, may just be the key to unlocking this mystery!
In 1785, two years after the death of his wife, Hannah, William Lee sent his two daughters, Portia and Cornelia, to live at Menokin with Uncle Frank and Aunt Becky. Hannah Lee thought it important that her daughters grow up in Virginia. William wrote to family friends in London, Mr. and Mrs. Samuel Thorp, to further explain the desire for his daughters to grow up in Virginia. He writes, “[H]owever superior English education may be to what can be obtained here[,] yet the manners & customs of the ladies in England are so extremely different from the ladies here [in Virginia] that I never knew an instance of a young lady educated in England who could live happily here.”
He also wrote to the Thorpes requesting a momento by which Portia and Cornelia could remember them. He writes, “Our dear girls at Menokin are so importunate to have a miniature picture for each of them of your self & good Mrs. Thorp…have them set in gold to wear as bracelets…or a locket…the form should be rather a long than a round oval not too sharp at the ends…”
Could this be Mrs. Thorp on the locket? Did it once adorn the neck or wrist of young Portia or Cornelia Lee?
We hope to answer these questions with further research. In the meantime, tell us what you think and check back at Menokin Monitor for updates on this locket and other objects at Menokin.
We’d like to thank the Virginia Chapter of the Colonial Dames whose generous grant helped stabilize the locket. The locket is on display in Menokin’s Visitor’s Center.